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Ongaku Zukan (LP + 7" Vinyl)

Ryuichi Sakamoto

Ongaku Zukan (LP + 7" Vinyl)

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Interpret
Ryuichi Sakamoto
Titel
Ongaku Zukan (LP + 7" Vinyl)
Label
WEWANTSOUNDS
Artikel-Nr.
WWSLP71
EAN
3700604745280
Release-Date
29.09.2023
Musicstyle
Electronica
Konfiguration
LP 1x
Lagerbestand
Nicht auf Lager, Lieferzeit 3-10 Tage (soweit verfügbar beim Lieferanten)
36,99 € *
Wewantsounds is delighted to announce the release of Ryuichi Sakamoto"s classic LP "Ongaku... mehr
Produktinformationen "Ongaku Zukan (LP + 7" Vinyl)"
Wewantsounds is delighted to announce the release of Ryuichi Sakamoto"s classic LP "Ongaku Zukan", originally issued in Japan on his own School label in 1984. The reissue will replicate the original Japanese release which offered two versions: a normal edition featuring the LP with a bonus 7" EP, and a limited edition which includes a 3-track 12" EP in place of the 7". Remastered by Saidera Mastering in Tokyo the reissue boasts the original gatefold artwork plus an extra 2-page insert with new liner notes by Andy Beta. THE FIRST EVER INTERNATIONAL RELEASE OF RYUICHI SAKAMOTO'S LANDMARK 1984 ALBUM "ONGAKU ZUKAN" IN ITS TWO RARE JAPANESE VERSIONS (NORMAL AND LIMITED EDITION). FEATURING REMASTERED AUDIO WITH BONUS TRACKS, ORIGINAL GATEFOLD ARTWORK AND NEW LINER NOTES BY ANDY BETA. The early '80s were a turning point for Japanese musician Ryuichi Sakamoto. As a solo artist, the smash hit soundtrack he had composed for 1983's "Merry Christmas Mr. Lawrence" (a film in which he had also acted), had put him on the verge of becoming a global superstar. Meanwhile he had called a halt to his work with Yellow Magic Orchestra; the influential, globally successful pop trio calling it quits after the release of their 1983 album "Naughty Boys". Against this backdrop, Sakamoto descended on Tokyo's Onkyo Haus Studio to record his fourth solo album, "Ongaku Zukan" ("Musical Encyclopedia") accompanied by a handful of musicians including his ex-YMO partners Haruomi Hosono and Yukihiro Takahashi, and the prolifically talented Yasuaki Shimizu, Tatsuro Yamashita and Toshinori Kondo. Sakamoto began with no particular plan in mind, recording 30 basic tracks over the best part of 1983. It was on his return to the studio the following year that the album truly began to take shape. Accompanied by a newly acquired Fairlight CMI sampler, the musician made extensive use of the revolutionary equipment to create a wide palette of sound textures which he added to the tracks,...
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