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Sound Madness From The Shores Of The Mighty...

Congo Funk! Kinshasa / Brazzaville 1969-1982

Sound Madness From The Shores Of The Mighty...

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Interpret
Congo Funk! Kinshasa / Brazzaville 1969-1982
Titel
Sound Madness From The Shores Of The Mighty...
Label
ANALOG AFRICA
Artikel-Nr.
AALP098
EAN
4260126061781
Release-Date
05.04.2024
Musicstyle
World Music
Konfiguration
LP 2x
Lagerbestand
Lagernd und sofort lieferbar
33,99 € *
Congo Funk! - Sound Madness From The Shores Of The Mighty Congo River (Kinshasa/Brazzaville... mehr
Produktinformationen "Sound Madness From The Shores Of The Mighty..."
Congo Funk! - Sound Madness From The Shores Of The Mighty Congo River (Kinshasa/Brazzaville 1969-1982) The making of Congo Funk!, our long-awaited journey to the musical heart of the African continent, took the Analog Africa Team on two journeys to Kinshasa and one to Brazzaville. Selected meticulously from around 2000 songs and boiled down to 14, this compilation aims to showcase the many facets of the funky, hypnotic and schizophrenic tunes emanating from the two Congo- lese capitals nestled on the banks of the Congo River. On its south shore, the city of Kinshasa – capital of Democratic Republic of the Congo, the country formerly known as Zaïre – is often seen as Africa’s musical Mecca, the city that spawned such immortal bands as African Jazz, O.K. Jazz and African Fiesta, and the place to which aspiring musicians from throughout the continent would go to make a name for themselves. But the city of Brazzaville on the north shore of the river – capital of the Congo Republic – played an equally important role in spreading Congolese sounds continentally. In addition to producing legendary bands such as Les Bantous de la Capital, it was the powerful transmitters of Radio Brazzaville that allowed the unmistakable groove of Congolese Rumba to be heard as far away as Nairobi, Yaoundé, Luanda and Lusaka thus turning the electric guitar into the continent’s most important instrument! Although the musical landscape of these cities had been defined by a core group of bands in the late 1950s, the modernisation of Congolese music has been steadily evolving until the events surrounding the Muhammad Ali vs George Foreman boxing match marked a turning point. The promoter of that event known as “Rumble In The Jungle” was none other than the notorious Don King who needed 10 millions dollars to get Ali and Foreman into a boxing ring. The only candidate willing to put this kind of cash on the table was Mobutu Sese Seko, President of the Democratic Republic of the Congo...
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